leaguekvm.blogg.se

Mda, Z., The Heart of Redness (Cape Town: Oxford University Press, 2000). Mda, Z., Ways of Dying (Cape Town: Oxford University Press, 1995).

Mazibuko, N., ‘Love and Wayward Women in Ways of Dying’, in Bell and Jacobs (Forthcoming 2008). U., ‘Towards a South African Expressionism: The Madonna of Excelsior’, in Bell and Jacobs (Forthcoming 2008). Figueira (Brigham Young University: ICLA, 2004), pp. Gräbe, I., ‘Theory and Technology in Contemporary South African Writing: From Self-Conscious Exploration to Contextual Appropriation’, in Cybernetic Ghosts: Literature in the Age of Theory and Technology. Von der Thusen (Amsterdam and Atlanta: Rodopi, 2000), pp. Gräbe, I., ‘Telling the “Truth”: Collective Memory of South Africa’s Apartheid Heritage in Oral Testimony and Fictional Narrative’, in The Conscience of Human Kind: Literature and Traumatic Experience. ‘Community and Agency in The Heart of Redness and Joseph Conrad’s ‘Heart of Darkness’, in Bell and Jacobs (Forthcoming 2008). Olinder (Göteborg: English Department, University of Gothenburg, 1984).įincham, G. ‘“FENG SUI” or Spirit of Place’, in A Sense of Place: Essays in Post-Colonial Literatures. ‘Of Funeral Rites and Community Memory: Ways of Living in Ways of Dying’, in Bell and Jacobs (Forthcoming 2008).ĭesai, A. ‘Reading History through the Landscape: Ekphrasis in the Fiction of Michael Ondaatje and Romesh Genesekera’, in Saval Conference Papers: A Sense of Space (Johannesburg: Wits University Press, 1998).Ĭourau, R. M., White Writing: The Culture of Letters in South Africa (New Haven: Yale University Press, 1988).Ĭoncilio, C. (eds), Ways of Writing: Critical Essays on Zakes Mda (Durban: KwaZula Natal University Press, forthcoming 2008).Ĭoetzee, J. This process is experimental and the keywords may be updated as the learning algorithm improves.īell, D. These keywords were added by machine and not by the authors. In the three novels to be discussed, this refiguring of otherwise ordinary or dreary places is achieved in different ways: Ways of Dying (1995) creatively transforms deadly places into liveable places The Heart of Redness (2000) uncovers the magic inherent in rural localities, while The Madonna of Excelsior (2002) effects an artist’s reading of the landscape through its paintings of specific scenes. I will scrutinize Mda’s uncanny ability to transform places reflecting a seemingly bleak existence into an imaginary space of artistic creativity. These reflect either the hardship of social inequality or the turmoil brought about by political intolerance in contemporary South African society, in the period from the 1990s to the present. This chapter investigates Zakes Mda’s versatile use of space in depicting rural and urban localities.